Section 01

When media earns its place

Audio, video and image cost time, money and screen-space. Each should answer a question text cannot answer alone. If the screen would be just as clear without the media, cut the media.

By the end of this unit
  • Choose audio, video or image based on what each does best.
  • Brief a producer with the level of detail that gets the right asset back the first time.
  • Apply the accessibility minimum for each media type.

Three questions before you brief media

What does this media do that text cannot?

If you cannot finish the sentence "I need video here because…" with something concrete, the screen does not need video.

How will a learner on a phone experience it?

Buffering, captions on a small screen, audio in a noisy room. Design for the constraint, not the ideal.

What does the screen do while the media plays?

Asking the learner to read and listen at the same time will lose you both. Pick one channel at a time.

Section 02

Audio

Audio carries tone and example better than text. It costs the learner attention. Use it when the example is something the learner needs to hear — a teacher's voice, a phone call, a piece of speech with stress in the right place.

What a good audio brief contains

A complete script
Every word. Not an outline. The producer reads what you wrote, not what they think you meant.
Direction on tone and pace
"Warm, conversational, 140 words per minute." Three short phrases beat a paragraph of mood-words.
Pronunciation notes
Names, acronyms, technical terms. Spell them out phonetically the first time they appear.
Pause and emphasis marks
A vertical bar where you want a pause. Capitals where you want emphasis. Producers prefer this to prose direction.
The asset title and transcript title
"Teacher 1 audio" and "Teacher 1 audio transcript". Decide them in the storyboard. Do not let the platform decide.

Transcripts are part of the design

A transcript is not the script. It is what an accessible learner hears in their head when they read the screen. It describes the sound, not just the words: tone of voice, a pause, the noise of a classroom. Closed captions on video follow the same rule.

Teaching tip

Write the transcript before you record. It catches problems in the script that you would only otherwise hear in the studio.

Section 03

Video

Video is expensive. It is the right tool for movement, demonstration, body language and place. It is the wrong tool for talking heads reading text that the screen could carry better.

Use video for these

DEMONSTRATION
"How to set this up" beats any diagram if the action is visual.
PLACE
A real classroom, hospital ward, factory floor. Photographs cannot give you the room.
PERSON
A subject expert speaking to camera carries authority a text quote cannot.
INTERACTION
Two or more people doing something together. Pure body language and pacing.

What a good video brief contains

Length cap

2 minutes is the working maximum for a workplace learning clip. 90 seconds is better. Plan to lose anything the cap forces you to lose.

Storyboard with shot sizes

Wide / medium / close. Tell the producer when each one comes.

Captions and a descriptive transcript

Captions are not optional. The transcript describes scenes and sound, not just speech.

What plays on top of the video

Lower-thirds, on-screen text, end-card. Specify all of them.

Rule

If a learner can watch the video on mute and still get the point, the video is well-designed. If they cannot, the captions are doing too much work.

Section 04

Image

Most images in workplace learning are decoration. Decoration adds load without adding learning. Cut decorative images. Keep images that do work.

Images that do work

Diagrams hold relationships, sequences, hierarchies. Use them when the structure of the idea matters more than its prose. Label every part. Use sentence case.

Screenshots show the actual interface the learner will use. Crop them tight. Highlight the part that matters with a single coloured callout, not three.

Photographs of real situations carry weight. Stock photography of people pointing at laptops does not. Use a real one or none.

Image descriptions

Every image needs a description that conveys what the image is for. If the image is decorative, mark it as such so screen readers skip it. If the image carries meaning, the description carries that meaning. Write the description in the storyboard, not in the build.

Reflect

Pick three images from a course you have built. For each one, write the sentence "This image is here because…". If two of the three sentences are weak, cut those images.

End of Unit 3

You should now be able to:

  • Choose between audio, video and image based on what each carries.
  • Brief media producers with the level of specificity that prevents costly re-shoots.
  • Treat transcripts, captions and image descriptions as part of the design, not the cleanup.
Section 05

Unit review

Question 1 of 4

You need to show a learner how to use a new piece of software. Which medium is most likely the right one?

Question 2 of 4

Which of these is not in a good audio brief?

Question 3 of 4

What does a good transcript include that the script does not?

Question 4 of 4

You have a photograph of three people in business clothes pointing at a screen. The screen is blurry. Use it?

End of module

Next: Learning Experience (LX) Design — how to plan the whole arc of a learner's experience, not just the screens.

Craig Stanley Studio · Instructional Design Foundations · Course 03 of 04